![]() Victor cannot control this, suggesting that he cannot control the queer displacement of his desire. Victor’s queer, non-heteronormative desire for the creature, displaces his desire for Elizabeth, as outlined by his subconscious mind. Haggarty validates this, arguing that queerly displaced desire raises questions about male homosexual desires. ![]() The shifting images in Victor’s dream directly correlate to the queer displacing of his desire, in favour of the creature. This relationship fully subverts heteronormativity, and is queer, as Victor appears to have romantic feelings for an artificially created being of the same gender. This romantic gesture upholds heteronormative ideals, but quickly rejects them when the creature appears, as he becomes the object of Victor’s romantic desire. His kissing of Elizabeth offsets the events within the dream, creating an ideal image of heterosexual relations. The queer displacement of Victor’s desire is first explained in Victor’s dream, in which, after kissing her, Elizabeth transforms into Victor’s mother, before he catches sight of the ‘miserable monster.’ In Victor’s subconscious mind, his desire for Elizabeth is displaced by his obsession with the creature. The queer displacement of desire first pops up via the subconscious in ‘Frankenstein.’ Victor Frankenstein’s established love for Elizabeth Lavenza is pitted against his desire to animate the creature. The queer displacement of desire involves the subconscious, a lack of control, the invasion of the mind and body, the formation of a network of queer, non-heteronormative relationships and finally, death. Victor Frankenstein’s creature and Dracula are therefore queer, as they subvert the conceptional ideals of humanity, being an artificially created monster and an undead vampire. ‘Queer’ refers to anything that opposes the dominant ideals that humanity is supposed to conform to. ![]() ![]() ‘Displacement’ originates from Freud and is defined as the unconscious ‘shifting of energy’ from one person to another, the ‘energy’ in question being desire. Today we navigate through the dangerously queer displacements of desire in ‘Frankenstein’ and ‘Dracula’! Before we start, some definitions: ![]()
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